Being a pataphysicist
In 2014 I became a member of Le College De 'Pataphysique. Pataphysics is a creative practice that was invented by surrealist writer Alfred Jarry. He described it as "the science of imaginary solutions, which symbolically attributes the properties of objects, described by their virtuality, to their lineaments". In 2025 I was invited to join OUPEINPO, an international collective who workshops potential painting that was started by pataphysicists in 1980.
The Ministry of Notnot is a year-long project created in collaboration with anonymous artists who act as ministers of an imaginary government dedicated to not giving up. This project was featured in issue 25 of Digital America.
Access the website here: https://ministryofnotnot.carrd.co

Made in collaboration with artist Lindsey Whittle, this meta narrative was presented at the Show of Hands festival in Cincinnati as well as the Test Screen Video Festival in Chicago.


Animated Collage created for the exhibition Pataphysics 4 Institutions and then also presented at the Contemporary Art Center of Cincinnati for the exhibition After Work Hours.

This video is a documentation of a performance created during a residency at Positive Space in the summer of 2023.

This animation was created for the collective Pitriarchy and then was used in a video installation in the show Pataphysics 4 Institutions at Georgetown College.

This collection of three stories was created for the show Tidal Pull at the Weston Gallery.
This series was presented in the show Pedestals in The Garden at Clamp Light Gallery in San Antonio TX, and more recently in the show Pataphysics 4 Institutions in Georgetown College KY.

Midwest Stories is a website completed for The Wrong Biennale. It was organized by the collective Satellite TV that I run with artist Thomas Osorio. The website explores the mythos of the Midwest as a fictitious place or a place defined by what it is not.

In this performance I interpret a score by artist Lauren Sudbrink. The piece was projected outside of Roman Susan Gallery in Chicago in July 2022.

What is time for? That’s a good question. This video was presented as part of an interactive installation at The Dahrma Center in January 2019. It was also presented by Flatland Gallery in Chicago during their (The) Old Futures Almanac release event in 2020.

This video collage was presented at Georgetown College KY for the show Pataphysics 4 Institutions.
Another sample from an ongoing series started in 2021 exploring neoclassicism and its absurdist qualities. This image was included in the show Pataphysics 4 Institutions at Georgetown College.

This short animation is part of series of “PSAs” about the moon created for the show Nancy and The Voids at Co-Prosperity in Chicago.
This image was created for the publication An Atlas and was presented at Co-Prosperity in Chicago in 2022.
This image is from a series of tangled compositions of what French people call colloquially “l’Art Pompier” (Firefighter Art) which usually describes a certain kind of neoclassical academism full of damsels in distress and courageous and muscular greek apollos wearing gilded armors.
Image from a series of absurdist architecture created using generative algorithms.
Image from a series of absurdist sculptures created using generative algorithms.

A song for the joyfully nihilists. This video has been screened at the Bite Your Tong screening at Vox Populi and will be shown in May at Mantle Art Space in San Antonio Texas.

Episode 2 of a series in which Professor Pata answers essential questions as well as other things. In this episode, art is the focus or our lecture.
Premiered at The Mini Micro Cinema at the Carnegie center in Covington, KY.




A play in one act written by robots but animated by a human.